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Art Books & Exhibition Catalogues Horizon. A Review of Literature and Art Edited by Cyril Connolly. 6 Issues 1945–1946.
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Horizon. A Review of Literature and Art Edited by Cyril Connolly. 6 Issues 1945–1946.

£75.00

No. 69 September 1945: Including “Ivy Gripped the Steps” by Elizabeth Bowen, a review of George Orwell’s Animal Farm, and reproductions of paintings by Ben Nicholson. Condition: Near Fine.

No. 71 November 1945:
Including “ The State of Painting in Paris” by Daniel Henry Kahnweiler, poems by Louis MacNeice, and reproductions of new designs for sculpture by Henry Moore. Condition: Near Fine.

No. 79 July 1946:
Including “Back to Italy and Greece” by Raymond Mortimer, Henry James’s Year in France” by Mervyn Jones-Evans, and reproductions of paintings by Louis Le Brocquy. Condition: Very Good. Some pencil annotations.

No. 80 August 1946:
Including “The Evolution of Charles Darwin” by Douglas Hubble, “On the Possibilities of Painting” by Juan Gris, and reproductions of paintings by Juan Gris. Condition: Very Good. Pencil annotations, covers slightly marked.

No. 81 September 1946:
Including “A Life in Brief” by Herman Hesse, Aubrey Beardlesy by Robin Ironside, and reproductions of illustrations by Aubrey Beardsley. Condition: Very Good. Cover very slightly nicked , lightly marked, some pencil annotations.

No. 82 October 1946:
Including “ The Inevitability of Flaubert” by René Dumensil, “Contemporary Sculptors – IV Jean Arp” by G. Giedion-Welcker, and reproductions of works by Jean Arp. Condition: Good to Very Good. Small tear to spine, some pencil annotations.

Horizon: A Review of Literature and Art was a literary magazine published in London between December 1939 and January 1950. Published every four weeks, it was edited by Cyril Connolly, who made it into a platform for a wide range of distinguished and emerging writers. It had a print run of 120 issues or 20 volumes.

Connolly founded Horizon after T. S. Eliot ended The Criterion in January 1939, with Peter Watson as its financial backer and de facto art editor. Connolly was editor throughout its publication and Stephen Spender was an uncredited associate editor until early 1941. Connolly described the magazine's goal during World War II as “encouraging the young writers-at-arms who seem to find the need to write more irresistible as the War progresses, keeping them in touch with their French and American contemporaries—in short, continuing our policy of publishing the best critical and creative writing we can find in wartime England and maintaining the continuity of the present with the past.” The magazine had a small circulation of around 9,500, but an impressive list of contributors, and it made a significant impact on the arts during and just after the war.

Text via Wikipedia. Read the full entry here

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No. 69 September 1945: Including “Ivy Gripped the Steps” by Elizabeth Bowen, a review of George Orwell’s Animal Farm, and reproductions of paintings by Ben Nicholson. Condition: Near Fine.

No. 71 November 1945:
Including “ The State of Painting in Paris” by Daniel Henry Kahnweiler, poems by Louis MacNeice, and reproductions of new designs for sculpture by Henry Moore. Condition: Near Fine.

No. 79 July 1946:
Including “Back to Italy and Greece” by Raymond Mortimer, Henry James’s Year in France” by Mervyn Jones-Evans, and reproductions of paintings by Louis Le Brocquy. Condition: Very Good. Some pencil annotations.

No. 80 August 1946:
Including “The Evolution of Charles Darwin” by Douglas Hubble, “On the Possibilities of Painting” by Juan Gris, and reproductions of paintings by Juan Gris. Condition: Very Good. Pencil annotations, covers slightly marked.

No. 81 September 1946:
Including “A Life in Brief” by Herman Hesse, Aubrey Beardlesy by Robin Ironside, and reproductions of illustrations by Aubrey Beardsley. Condition: Very Good. Cover very slightly nicked , lightly marked, some pencil annotations.

No. 82 October 1946:
Including “ The Inevitability of Flaubert” by René Dumensil, “Contemporary Sculptors – IV Jean Arp” by G. Giedion-Welcker, and reproductions of works by Jean Arp. Condition: Good to Very Good. Small tear to spine, some pencil annotations.

Horizon: A Review of Literature and Art was a literary magazine published in London between December 1939 and January 1950. Published every four weeks, it was edited by Cyril Connolly, who made it into a platform for a wide range of distinguished and emerging writers. It had a print run of 120 issues or 20 volumes.

Connolly founded Horizon after T. S. Eliot ended The Criterion in January 1939, with Peter Watson as its financial backer and de facto art editor. Connolly was editor throughout its publication and Stephen Spender was an uncredited associate editor until early 1941. Connolly described the magazine's goal during World War II as “encouraging the young writers-at-arms who seem to find the need to write more irresistible as the War progresses, keeping them in touch with their French and American contemporaries—in short, continuing our policy of publishing the best critical and creative writing we can find in wartime England and maintaining the continuity of the present with the past.” The magazine had a small circulation of around 9,500, but an impressive list of contributors, and it made a significant impact on the arts during and just after the war.

Text via Wikipedia. Read the full entry here

No. 69 September 1945: Including “Ivy Gripped the Steps” by Elizabeth Bowen, a review of George Orwell’s Animal Farm, and reproductions of paintings by Ben Nicholson. Condition: Near Fine.

No. 71 November 1945:
Including “ The State of Painting in Paris” by Daniel Henry Kahnweiler, poems by Louis MacNeice, and reproductions of new designs for sculpture by Henry Moore. Condition: Near Fine.

No. 79 July 1946:
Including “Back to Italy and Greece” by Raymond Mortimer, Henry James’s Year in France” by Mervyn Jones-Evans, and reproductions of paintings by Louis Le Brocquy. Condition: Very Good. Some pencil annotations.

No. 80 August 1946:
Including “The Evolution of Charles Darwin” by Douglas Hubble, “On the Possibilities of Painting” by Juan Gris, and reproductions of paintings by Juan Gris. Condition: Very Good. Pencil annotations, covers slightly marked.

No. 81 September 1946:
Including “A Life in Brief” by Herman Hesse, Aubrey Beardlesy by Robin Ironside, and reproductions of illustrations by Aubrey Beardsley. Condition: Very Good. Cover very slightly nicked , lightly marked, some pencil annotations.

No. 82 October 1946:
Including “ The Inevitability of Flaubert” by René Dumensil, “Contemporary Sculptors – IV Jean Arp” by G. Giedion-Welcker, and reproductions of works by Jean Arp. Condition: Good to Very Good. Small tear to spine, some pencil annotations.

Horizon: A Review of Literature and Art was a literary magazine published in London between December 1939 and January 1950. Published every four weeks, it was edited by Cyril Connolly, who made it into a platform for a wide range of distinguished and emerging writers. It had a print run of 120 issues or 20 volumes.

Connolly founded Horizon after T. S. Eliot ended The Criterion in January 1939, with Peter Watson as its financial backer and de facto art editor. Connolly was editor throughout its publication and Stephen Spender was an uncredited associate editor until early 1941. Connolly described the magazine's goal during World War II as “encouraging the young writers-at-arms who seem to find the need to write more irresistible as the War progresses, keeping them in touch with their French and American contemporaries—in short, continuing our policy of publishing the best critical and creative writing we can find in wartime England and maintaining the continuity of the present with the past.” The magazine had a small circulation of around 9,500, but an impressive list of contributors, and it made a significant impact on the arts during and just after the war.

Text via Wikipedia. Read the full entry here

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