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Art Books & Exhibition Catalogues Richard Hamilton, Polaroid Portraits Vol. 3, Edition Hansjörg Mayer
Richard Hamilton Polaroid Portraits Volume 3 (Copy) Image 1 of 4
Richard Hamilton Polaroid Portraits Volume 3 (Copy)
D7543673-B4DE-46BD-88DD-9EC86C7CB132 Image 2 of 4
D7543673-B4DE-46BD-88DD-9EC86C7CB132
B685889F-29C4-47F6-9FB0-6DA6DFA5BBBB Image 3 of 4
B685889F-29C4-47F6-9FB0-6DA6DFA5BBBB
BFB251CF-3BFA-4D6C-A699-5F6F71854EC4 Image 4 of 4
BFB251CF-3BFA-4D6C-A699-5F6F71854EC4
Richard Hamilton Polaroid Portraits Volume 3 (Copy)
D7543673-B4DE-46BD-88DD-9EC86C7CB132
B685889F-29C4-47F6-9FB0-6DA6DFA5BBBB
BFB251CF-3BFA-4D6C-A699-5F6F71854EC4

Richard Hamilton, Polaroid Portraits Vol. 3, Edition Hansjörg Mayer

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Title: Polaroid Portraits Vol. 3
Author:  Richard Hamilton (ed.)
Publisher: Edition Hansjörg Mayer, Stuttgart, London & Reykjavik
Publication date: 1983
Format: Hardback, publisher’s original cloth-covered boards in grey dust jacket
Size: 17 x 13 cm
Condition: Very good. Some shelf wear to upper cover. Otherwise near fine. 

First edition of the third volume of Richard Hamilton’s important polaroid portraits series in which Hamilton invited various artists to make a photographic portrait of him. This volume includes portraits of Hamilton by André Thomkins, Timm Ulrichs, Braco Dimitrijevic, Eduardo Arranz-Bravo, Rafael Bartolozzi, Carl Frederik Reutersward, Edward Kienholz, K P Brehmer, Carolee Schneemann, Valerio Adami, Stefan Werwerka, Takis, Allan Kaprow, Robert Watts, Anthony Caro, Günter Brus, Mark Lancaster, Hannah Wilke, Richard Smith, John Piper, Stephen Buckley, Robert Filliou, Robert Rauschenberg, Stuart Brisley, Gustav Metzger, James Coleman, Nigel Henderson, Kenneth Martin, Jan Dibbets, Dieter Rams, Linda McCartney, Paul McCartney.Starting in 1968, Richard Hamilton asked artists he met to photograph him with a Polaroid camera. Once he had collected 32 photographs, they were published in one volume, the first in 1972. The project ultimately spanned four volumes, with the final volume published in 2001.  The project was exhibited in full at Ikon Gallery in 2001.

Richard Hamilton was one of the founders of Pop Art, and instrumental in defining its objectives and ethos. His innovative visual combinations in the 1950s encapsulated the dynamic energy of emerging technologies like television, vacuum, and radio. Hamilton described Pop Art as popular, transient, low-cost, mass-produced, young, witty, sexy, glamorous, gimmicky, and representative of Big Business. Despite Andy Warhol being more well-known, it was Hamilton who laid Pop Art's foundation and outlined its principles.

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Title: Polaroid Portraits Vol. 3
Author:  Richard Hamilton (ed.)
Publisher: Edition Hansjörg Mayer, Stuttgart, London & Reykjavik
Publication date: 1983
Format: Hardback, publisher’s original cloth-covered boards in grey dust jacket
Size: 17 x 13 cm
Condition: Very good. Some shelf wear to upper cover. Otherwise near fine. 

First edition of the third volume of Richard Hamilton’s important polaroid portraits series in which Hamilton invited various artists to make a photographic portrait of him. This volume includes portraits of Hamilton by André Thomkins, Timm Ulrichs, Braco Dimitrijevic, Eduardo Arranz-Bravo, Rafael Bartolozzi, Carl Frederik Reutersward, Edward Kienholz, K P Brehmer, Carolee Schneemann, Valerio Adami, Stefan Werwerka, Takis, Allan Kaprow, Robert Watts, Anthony Caro, Günter Brus, Mark Lancaster, Hannah Wilke, Richard Smith, John Piper, Stephen Buckley, Robert Filliou, Robert Rauschenberg, Stuart Brisley, Gustav Metzger, James Coleman, Nigel Henderson, Kenneth Martin, Jan Dibbets, Dieter Rams, Linda McCartney, Paul McCartney.Starting in 1968, Richard Hamilton asked artists he met to photograph him with a Polaroid camera. Once he had collected 32 photographs, they were published in one volume, the first in 1972. The project ultimately spanned four volumes, with the final volume published in 2001.  The project was exhibited in full at Ikon Gallery in 2001.

Richard Hamilton was one of the founders of Pop Art, and instrumental in defining its objectives and ethos. His innovative visual combinations in the 1950s encapsulated the dynamic energy of emerging technologies like television, vacuum, and radio. Hamilton described Pop Art as popular, transient, low-cost, mass-produced, young, witty, sexy, glamorous, gimmicky, and representative of Big Business. Despite Andy Warhol being more well-known, it was Hamilton who laid Pop Art's foundation and outlined its principles.

Title: Polaroid Portraits Vol. 3
Author:  Richard Hamilton (ed.)
Publisher: Edition Hansjörg Mayer, Stuttgart, London & Reykjavik
Publication date: 1983
Format: Hardback, publisher’s original cloth-covered boards in grey dust jacket
Size: 17 x 13 cm
Condition: Very good. Some shelf wear to upper cover. Otherwise near fine. 

First edition of the third volume of Richard Hamilton’s important polaroid portraits series in which Hamilton invited various artists to make a photographic portrait of him. This volume includes portraits of Hamilton by André Thomkins, Timm Ulrichs, Braco Dimitrijevic, Eduardo Arranz-Bravo, Rafael Bartolozzi, Carl Frederik Reutersward, Edward Kienholz, K P Brehmer, Carolee Schneemann, Valerio Adami, Stefan Werwerka, Takis, Allan Kaprow, Robert Watts, Anthony Caro, Günter Brus, Mark Lancaster, Hannah Wilke, Richard Smith, John Piper, Stephen Buckley, Robert Filliou, Robert Rauschenberg, Stuart Brisley, Gustav Metzger, James Coleman, Nigel Henderson, Kenneth Martin, Jan Dibbets, Dieter Rams, Linda McCartney, Paul McCartney.Starting in 1968, Richard Hamilton asked artists he met to photograph him with a Polaroid camera. Once he had collected 32 photographs, they were published in one volume, the first in 1972. The project ultimately spanned four volumes, with the final volume published in 2001.  The project was exhibited in full at Ikon Gallery in 2001.

Richard Hamilton was one of the founders of Pop Art, and instrumental in defining its objectives and ethos. His innovative visual combinations in the 1950s encapsulated the dynamic energy of emerging technologies like television, vacuum, and radio. Hamilton described Pop Art as popular, transient, low-cost, mass-produced, young, witty, sexy, glamorous, gimmicky, and representative of Big Business. Despite Andy Warhol being more well-known, it was Hamilton who laid Pop Art's foundation and outlined its principles.

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