Title: El cubo de Rubik: Arte mexicano en los años 90
Author: Text de Daniel Montero
Publisher: Editorial RM
Publication date: 2013
Format: softcover
Pages: 285
Language: Spanish
Condition: fine
Stock Number: CH10568 190
“A fundamental book for anyone interested in understanding contemporary Mexican art today. Written by curator and art critic Daniel Montero, El cubo de Rubik, arte mexicano en los años 90 (The Rubik's Cube, Mexican Art in the 90s) presents an investigation that begins with the question: What happened in Mexico in the 1990s to cause a transformation in artistic production from a way of making art called Neo-Mexicanism to one related to conceptual object art? The research presented in this volume, which covers the period from 1988 to 2007, was generated by a specific question: What happened in Mexico in the 1990s to cause a transformation in artistic production from what was called Neo-Mexicanism to a production related to conceptual object art? But knowing why a phenomenon occurs implies being able to understand its circumstances, and it is precisely those circumstances that are developed in this work. “ (Publisher’s text – Google translation from the Spanish)
Title: El cubo de Rubik: Arte mexicano en los años 90
Author: Text de Daniel Montero
Publisher: Editorial RM
Publication date: 2013
Format: softcover
Pages: 285
Language: Spanish
Condition: fine
Stock Number: CH10568 190
“A fundamental book for anyone interested in understanding contemporary Mexican art today. Written by curator and art critic Daniel Montero, El cubo de Rubik, arte mexicano en los años 90 (The Rubik's Cube, Mexican Art in the 90s) presents an investigation that begins with the question: What happened in Mexico in the 1990s to cause a transformation in artistic production from a way of making art called Neo-Mexicanism to one related to conceptual object art? The research presented in this volume, which covers the period from 1988 to 2007, was generated by a specific question: What happened in Mexico in the 1990s to cause a transformation in artistic production from what was called Neo-Mexicanism to a production related to conceptual object art? But knowing why a phenomenon occurs implies being able to understand its circumstances, and it is precisely those circumstances that are developed in this work. “ (Publisher’s text – Google translation from the Spanish)
