Contents: The Craftsman's World; Claire Zeisler and the Sculptured Knot by Whitney Halstead ; Marvin Lipofsky by E. Marc Treib; Peter Voulkos: A Return to Pottery by Jim Melchert; The Wonderland of Arline Fisch by Ruth Clark Radakovich; The Collage Constructions of lise Getz by Alice Adams; Wendell Castle by Helen Giambruni; Entrances and Exits... The Door by Dido Smith; In the Noguchi by Israel Horovitz; Milan Triennale by Patricia Chapman; Exhibitions; Calendar; Where to Show.
The cover: Detail of freestanding knotted and wrapped form of hemp and wool by Claire Zeisler.
Published by the American Craft Council from 1941 to 1979, Craft Horizons magazine was the first periodical to put American craft into a conceptual framework, analysing its social meaning, technical skills, and aesthetic value. It documented the postwar studio craft movement, providing critical discourse, profiles, and international perspectives for artists and scholars, and was pivotal in elevating craft to a serious art form, bridging the gap between functional craft and conceptual art.
Title: Craft Horizons Vol. XXVIII No.5 September/October 1968.
Author: Rose Slivka (ed.)
Publisher: American Craft Council
Publication Date: 1968
Format: stapled wraps
Images: illustrated in b/w
Pages: 54 pp.
Language: English
Condition: very good
Stock Number: RB05204-4 RH
Contents: The Craftsman's World; Claire Zeisler and the Sculptured Knot by Whitney Halstead ; Marvin Lipofsky by E. Marc Treib; Peter Voulkos: A Return to Pottery by Jim Melchert; The Wonderland of Arline Fisch by Ruth Clark Radakovich; The Collage Constructions of lise Getz by Alice Adams; Wendell Castle by Helen Giambruni; Entrances and Exits... The Door by Dido Smith; In the Noguchi by Israel Horovitz; Milan Triennale by Patricia Chapman; Exhibitions; Calendar; Where to Show.
The cover: Detail of freestanding knotted and wrapped form of hemp and wool by Claire Zeisler.
Published by the American Craft Council from 1941 to 1979, Craft Horizons magazine was the first periodical to put American craft into a conceptual framework, analysing its social meaning, technical skills, and aesthetic value. It documented the postwar studio craft movement, providing critical discourse, profiles, and international perspectives for artists and scholars, and was pivotal in elevating craft to a serious art form, bridging the gap between functional craft and conceptual art.
Title: Craft Horizons Vol. XXVIII No.5 September/October 1968.
Author: Rose Slivka (ed.)
Publisher: American Craft Council
Publication Date: 1968
Format: stapled wraps
Images: illustrated in b/w
Pages: 54 pp.
Language: English
Condition: very good
Stock Number: RB05204-4 RH
